- Open Access
Airplane noise and the taste of umami
© Spence et al.; licensee BioMed Central Ltd. 2014
- Received: 31 December 2013
- Accepted: 22 January 2014
- Published: 20 February 2014
Have you ever noticed how many people ask for a Bloody Mary or tomato juice from the drinks trolley on airplanes? The air stewards have, and when you ask the people who order, they will tell you that they rarely order such a drink at any other time. Could it be that umami-rich tomato provides one of the only basic tastes that is relatively unaffected by the loud background noise that one is exposed to while in flight? That is the research suggestion, or hypothesis, outlined in this opinion piece. Should such a claim be validated by future research, the potential application for airline catering could be huge.
- Tomato Juice
- Loud Noise
- Basic Taste
- Flavour Perception
- Taste Experience
“A loud noise, for instance, may prevent entirely our ability to smell or taste, yet softly played dinner music can create an environment favourable for elegant dining.” ( p. 7).
Considering that the sound inside of an airborne airplane is not too dissimilar in terms of either its loudness or unpleasantness to the white noise used in Woods et al.’s  study (the interior of an Airbus A320 is said to run at 86 dB, http://ask.metafilter.com/37070/How-loud-is-the-inside-of-an-airplane; while the normal level for commercial planes in flight is 80–85 dB, ; although the sound intensity likely varies somewhat depending on the type of aircraft and how close to the engines passengers happen to be seated), it does not seem unreasonable to suggest that the perception of sweetness and saltiness of foods and drinks served in the air would also be suppressed. Unfortunately, however, the authors failed to assess whether any of the other basic tastes (e.g., sourness, bitterness, or the savouriness of umami; [5, 6])a would be similarly suppressed by the presence of loud background noise. The intuition is, surely, that all tastes would be affected equally.
Not all basic tastes behave similarly though; when it comes to the suppression of tastes, for instance, combining sweet, sour, salty, and bitter tends to lead to an overall suppression of taste. Umami, however, is immune to this effect. There is even some evidence to suggest that it fails to show the suppression effect and may actually boost some of the other basic tastes . So all tastes may not be created equal when it comes to crossmodal noise-induced sensory suppression effects. The hypothesis that background noise might not impact on the perception of umami is supported by the results of some of the earliest research to have studied the impact of sound on taste/flavour perception . It would also be consistent with anecdotal reports from those who test airline food for some of the world’s biggest airlines . In her early research, Pettit reported that a variety of different types of background noise failed to impact on people’s ratings of tomato juice samples in a central test location study. The irony here is that should Pettit have chosen to test another foodstuff then different results may well have been obtained, and the field of sound/music-taste/flavour interaction research may not have been held up for quite as long as it was (see , for a review).
This is, in fact, where the anecdotal observation outlined at the start of this piece comes into play. Should the reported shift in passengers’ preference toward ordering tomato-based beverages during flights turn out to be an accurate representation of the true state of affairs, what explains this desire for tomato-based foods? A key feature of tomatoes is that they are rich in umami . So the question arises as to whether umami might be the one basic taste whose perception is relatively unaffected by the level of background noise. Should it turn out that the taste of umami really is resistant to loud noise, then that will certainly bode well for the umami-based menu recently introduced by British Airways . Indeed, more generally, there would appear to be something of a growing interest amongst western chefs in the use of umami-rich ingredients in cuisine , though note that many umami-rich ingredients have been used in Italian cuisine for a long time; think only of the classic ‘pasta al pomodoro’ , often drowned under large amounts of parmesan cheese and tomato sauce; not to mention tomato and anchovy sauces in pizza recipes, all umami-rich. The last combination producing synergistic umami where the umami hit is presumably boosted.
“The inexplicable blandness of airline food has been pondered at 30,000 feet by generations of travellers.” (, p. 13).
Of course, anything we can do to gain a better understanding about why most food tastes less than wonderful in the plane has to be welcome (see  for some of the earliest research on this topic). Indeed, some carriers, such as Lufthansa and Singapore Airlines, have even built specialized testing facilities in order to mimic the conditions of the average passenger without anyone having to leave the ground , all with the aim of making their food taste better in the air.
Understanding (or predicting) how flavour perception might be affected by a noise-induced reduction in the perception of any basic taste in airline food (or for that matter in any other food) is by no means a simple matter. First, as has already been noted, the basic tastes interact, and mutually suppress one another in ways that are sometimes unpredictable, e.g., [7, 15–17], with umami being suppressed when combined with any of the other basic tastes, while at the same time enhancing sweetness and saltiness perception. Second, the reduction in the contribution of volatile compounds to flavour perception given the low cabin pressure, not to mention the dry air , will also likely reduce any smell-induced taste perception (e.g., as in the case of olfactory-induced sweetness or bitterness; ). Note here also that Maga and Lorenz  reported that their participants were significantly less sensitive to the four basic tastes in an environment designed to simulate what it is like at 5,000 ft above sea level than at sea level. Finally, it should be noted that a growing body of research now shows that background sound can also affect olfactory perception [20–22].
Perhaps neuroimaging, especially MRI where the loud background noise is thrown in for free , might be able to help discern where exactly in the human brain such curious crossmodal interactions are taking place.
As a first step at the behavioural level, the ideal solution here might well be to serve the same selection of foods (either umami-rich or without umami) to participants in four different conditions: i) While in flight (i.e., with loud background noise and with low cabin air pressure); ii) While in flight but wearing noise-cancelling headphones (low background noise and low air pressure); iii) On the ground with the engines running, or perhaps, more likely, with pre-recorded engine sounds being played back to participants (loud background noise and normal air pressure); and iv) On the ground with the engines off (low background noise and normal air pressure). One would presumably want to assess taste and flavour intensity ratings as well as participants’ hedonic responses to the foods served. We would certainly welcome the results of such a study.
In conclusion, perhaps all those travellers who order a Bloody Mary after the seatbelt sign has been turned off have figured out intuitively what scientists are only now slowly coming to recognize empirically, regarding the interaction between what we hear and what we taste [9, 11]. Only future research will be able to definitively show whether certain tastes are more or less affected by background noise (or music) than others. Answering this question may have implications for all of us who need, on occasion, to eat and/or drink in the sky!
Charles Michel is the first chef in residence at the Crossmodal Research Laboratory.
The authors wish to thank Heston Blumenthal and Lisa Methven for helpful discussion on the impact of sound on umami and flavour perception. The authors received no funding for this piece of work.
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