- Open Access
Assessing the impact of the tableware and other contextual variables on multisensory flavour perception
© Spence et al.; licensee BioMed Central Ltd. 2012
- Received: 7 October 2011
- Accepted: 23 December 2011
- Published: 2 May 2012
Currently little is known about how the non-edible items associated with eating and drinking (tableware items such as the plates, bowls, cutlery, glasses, bottles, condiment containers, etc.), or even environmental factors (such as the lighting and/or background music), affect people’s perception of foodstuffs. Here, we review the latest evidence demonstrating the importance of these contextual variables on the consumer’s behavioural and hedonic response to, and sensory perception of, a variety of food and drink items. These effects are explained by a combination of psychological factors (high level attributes, such as perceived quality, that may be mediating the effects under consideration), perceptual factors (such as the Ebbinghaus-Titchener size-contrast illusion and colour contrast in the case of the colour of the plateware affecting taste/flavour perception), and physiological-chemical factors (such as differences in the release of volatile organic compounds from differently-shaped wine glasses). Together, these factors help to explain the growing body of evidence demonstrating that both the tableware and the environment can have a profound effect on our perception of food and drink.
- Contextual factors
Cutlery, by which we mean forks, knives, and spoons, has been in widespread use for nearly 200 years now (e.g.,[7, 8]). Traditionally, it was made from a wide variety of different materials, such as wood, bone, ceramic, iron, brass pewter, etc. Nowadays, though, the range of materials used for cutlery is much narrower, mainly limited to stainless steel, silver, plastic, or wood (for chopsticks and in eco-friendly coffee shops). This streamlining of materials has probably resulted from a combination of factors including: the ease and cost of manufacture/production, the ease of cleaning, environmental impact, and any taste transferred from the cutlery to the food.
Laughlin et al. conducted what may well be the first published study to investigate whether spoons made from different metals have noticeably different tastes. They measured the metallic sensation (or taint) arising from spoons plated with seven different metals: Gold, silver, zinc, copper, tin, chrome and stainless steel. Importantly, all of the spoons were identical in terms of their shape, size, and weight, and the visual differences between the spoons were not apparent to the participants (who were blindfolded throughout the study). The results revealed that spoons plated with different metals tasted distinctly different. In particular, the gold and chrome spoons were rated the least metallic, least bitter, and least strong tasting of all the spoons. By contrast, the zinc and copper spoons were rated as having the strongest, most bitter, and most metallic taste, and were also the only spoons that were rated as tasting significantly less sweet.
To the best of our knowledge, the effects of cutlery on people’s perception of food have so far only been tested with spoons. One might reasonably ask whether similar effects would also be observed for foods consumed with the aid of forks, knifes, and/or chopsticks? Since forks present a much smaller surface area to the mouth/tongue, and knives are rarely inserted into the mouth (at least in polite company), they might be expected a priori to exert less of an effect on the taste/flavour of food. Chopsticks tend to be manufactured from a fairly restricted range of materials (including cheap wood and plastic, lacquered wood, and the metal chopsticks that are popular in countries such as Korea). It would therefore be particularly interesting for future research to determine whether or not the weight of the chopsticks (if not the material from which they are made) has any effect on people’s perception of the taste/flavour of foods eaten with them.
In addition to the weight and material properties, the size of the cutlery also matters. Mishra, Mishra, and Masters recently demonstrated in a restaurant setting that the size of the cutlery can impact on how much people eat. They reported that those individuals who ate with the aid of smaller forks tended to consume more food as compared to those who ate with a larger fork. The researchers explained their findings in terms of “the goal of satiation”. That is, when people go to a restaurant, the cost and effort involved in the dining experience causes them to demand an appropriate benefit – i.e., they want a greater number of forkfuls of food in order to satisfy their predetermined satiation goal. However, under laboratory conditions, where the participants do not have to pay for their food, Mishra and colleagues found that people ate less with a smaller fork than with a larger fork (that is, the opposite effect to that seen in the restaurant). In agreement with this hypothesis, Wansink et al. observed that when offered free ice cream, participants who were given bigger spoons served themselves nearly 15% more than those with small spoons, though the effect did not reach statistical significanceb. Thus, the amount that people consume is based on at least two factors: the size of the cutlery, and the cost/benefit analysis related to the cost of the food whereby people tend to eat less when the food is free and they are given a small utensil to eat with.
Plateware or “Does the dish affect the dish?”
“Simultaneous color contrast suggests that foods can be arranged in combinations so that their colors are subtly enhanced, subdued, or otherwise modified. Yellow scrambled eggs on a yellow plate will look paler because of contrast. Purple grapes will look less purple on a purple plate and will look redder on a blue plate. A green salad will look less green on a green plate than on a plate that has no green in it. Red food on a blue plate will look more orange. Broccoli served with red fish will make the fish look redder, and slices of lime surrounding a grape mousse will enhance the color of both.” Lyman (1989, p. 112)
That said, colour contrast cannot so easily be used to explain the effects of coloured bowls reported by Harrar et al. because the popcorn was eaten by hand and would therefore likely always have been seen against a constant colour background (the participant’s hand) just before being put into the participant’s mouth. However, an alternative possibility here is that their effects demonstrate another example of sensation transference, given that red is typically associated with sweetness while blue is more often associated with saltiness[21–23]. As to where such colour-taste associations come from, consumers may simply be attuned to the statistics of the environment; and/or to the packaging and product colouring typically used in the supermarket[23, 24]. Evolutionarily-speaking, it would certainly make sense to be able to pick-up on the natural correlations that exist between colour and flavour in order to predict which foods would be riper, sweeter, and hence more likely to be rich in energy (imagine choosing fruit on a tree). Although explanations for the fact that the colour of the plate impacts taste/flavour perception have not been fully developed yet, these results will nevertheless hopefully make innovative chefs think a little more carefully about the colour of their plateware and its potential effects on customers’ flavour perception.a
Piqueras-Fiszman et al. also investigated whether the shape of the plate influences taste/flavour perception. They found that the taste of strawberry-flavoured mousse was not affected by the shape of the plate on which it was served. (The plates used in this study were square, round, and triangular in shape.) By contrast, Julie Simner (personal communication: “Yellow-tasting sounds? The cross-sensations of synaesthesia”, 3rd May 2011, Dept. Experimental Psychology, Oxford University, UK) has reported on a study conducted in collaboration with Jamie Ward and others in which they found that eating food from a round versus star-shaped plate exerted a small but significant effect on the perceived sharpness of the food. What might explain the inconsistency in the results reported between these two studies? We would argue that the most likely explanation for these inconsistent findings relates to the fact that Simner et al. used a star-shaped plate (with 5 points), whereas Piqueras-Fiszman used triangular and square plates (3- and 4-points) with fairly rounded edges at that. Thus, the angularity of the plates differed somewhat between these two studies (cf.).
Here, though, it should also be noted that certain attributes of foodstuffs (such as their perceived sharpness, as in the case of cheese) may be more susceptible to being modified by the shape of the plate than are other taste/flavour attributes. Since “sharpness” is originally a tactile property, one that is now used synaesthetically (or crossmodally) in order to describe flavour attributes, it is possible that it may be more likely to exhibit sensation transference effects when used to describe foodstuffs. According to this argument, taste terms that have only ever been used to describe gustatory qualities (e.g., saltiness) may be less susceptible to the effects of sensation transference from the shape/haptic qualities of the plateware.
In addition to the effect of the colour and shape of the plateware on food perception, people are also influenced by the size of the plateware. So, for example, in one influential study, Wansink, van Ittersum, and Painter investigated the effect of the size of the bowls on food consumption at a social event. When participants were given a larger bowl (34 oz) they served themselves over 30% more ice cream than those given a smaller bowl (17 oz). Furthermore, since the participants nearly always finished the food in their bowls (as is apparently generally the case under self-serve conditions;), those eating from a larger bowl ended up consuming more ice cream overall. Wansink and his colleagues attempted to account for these results in terms of the Ebbinghaus-Titchener size-contrast illusion and/or the Delboeuf illusion. That is, they suggested that such visual perceptual illusions may have caused a given amount of food to be perceived as smaller against the background of a larger bowl, and as larger when presented in a smaller bowl instead.
However, it is important here to note that the effects of plate size on people’s consumption behaviour are rather controversial. For instance, Rolls et al. were unable to find a significant difference between the size of the plate (17, 22, or 26 cm) and the amount of food consumed at mealtime in three separate laboratory-based experiments. This discrepancy between the significant results reported by Wansink et al. and the null results reported by Rolls and her colleagues may point to the existence of important differences between food consumption behaviours in the laboratory and those seen under more realistic consumption conditions (recall the discussion with spoons and the results of). Rolls et al. tested consumption behaviour in the laboratory while Wansink et al. had people fill out questionnaires at a company picnic (a real-world event) which may explain the differences. What is certainly true is that such differences should always be kept in mind when trying to generalise from the results of laboratory studies to real-world eating behaviours (e.g.,).
To date, far more research has been conducted on the perceptual and hedonic consequences of serving drinks in different cups and glasses than on the other elements of the tableware. Researchers have, for example, investigated the effect of varying the material, colour, and shape of the glass on the perceived aroma, taste, and flavour of wine (e.g.,[33, 34]; see for a review). In one such recent study, Ross, Bohlscheid, and Weller demonstrated that two red wines (a Syrah and a Pinot Noir) were more liked by a trained panel when tasted from a blue wine glass as compared to when served from a more traditional clear wine glass under normal white-light illumination.
When it comes to the perception of the aroma, taste, and flavour of wines (both white and red) served from differently-shaped and -sized glasses, the results of the available research appear to be inconsistent. While the results of one study suggested that serving exactly the same wine in a different glass enhanced the perceived intensity of the aroma by as much as 150% (e.g.,), the results of another study failed to demonstrate any such difference (e.g.,). Can these seemingly contradictory results again be attributed to the lack of generalizability from laboratory-based experiments (where people are often deprived sensorially) and testing in more realistic environments? What differences in the experimental paradigm might account for the inconsistent results?
One possible explanation for the different results might be due to the different types of wine evaluated in these studies, or the precise types/dimensions of the glasses used (which varied between each and every published study in this area). According to the more traditional physiological/chemical interpretation, different glass-shapes release different amount of volatile organic compounds from the wine’s surface. That said, it has also been suggested by Emile Peynaud, one of France’s leading wine experts, that the wine is directed to different parts of the tongue as a function of the shape of the glass. However, such explanations cannot account for the results of experiments in which all cues regarding the type of glass were removed[33, 40]. In such laboratory based experiments in which the participant has no awareness of the particular glass, there appears to be no differences between the aromas of the wines served from, or stored in, different glasses. However, when a person has some awareness of the glass, either seeing the glass or, in the case of those experiments where participants have been blindfolded, holding it, the glass does appear to have an effect on their perception of the wine. Thus, it would appear that the glass can affect the taste, flavour, and aroma of the wine, but only if the consumer has sufficient awareness of the physical properties of the glass. This obviously suggests more of a psychological interpretation of the results. A sensation transference interpretation (as described above) would appear to fit this pattern of results since it critically depends on people being consciously aware of the kind of glass they are drinking from in order to transfer the attributes of the glass to the wine.
So far in this section, we have only examined research on the effect of the glass on the perception of a single drink, namely wine. However, one might expect that at least some of the findings that have been observed with wine should extend to other classes of beverages as well, such as perhaps coffee (given that certain coffees contain as many as 50% more volatile organic compounds than do many wines).
Schifferstein found that participants’ responses to various attributes of drinks (tea and soft drinks) depended on the type of cup used. Meanwhile, Guéguen has also reported that 47.5% more people perceived identical soft drinks as being more thirst-quenching when consumed from a “cold coloured” blue glass as compared to a “warm-coloured” yellow glass (only 15% perceived the drink from the yellow glass to be more thirst-quenching). Similarly, Krishna and Morrin have demonstrated that water samples served in flimsy plastic cups are perceived as being of higher quality (~8% higher) when participants were not able to touch or hold the cup compared to when they were. Here again the concept of sensation transference can be used to account for the observed effects; be it the “cold” from the colour of the cup or the “cheap” from the material properties of the cup. Each time, the attribute (be it sensory, emotional, or evaluative) of the tableware appears to be transferred from the cup (cutlery, or plateware) to the food or drink.
Thinking of condiment containers (e.g., ketchup bottles), people have very specific associations regarding the shape and materials of such bottles, which might influence their perception of food and drinks (see on the concept of image molds in product packaging). Although it is certainly true that people normally do not eat directly from such containers, they might nevertheless exert an effect on the consumer’s overall dining experience, affecting people’s eating behaviours, and ultimately even their perception of the food and drink.
For example, Dan Ariely reported that changing the containers for coffee paraphernalia (i.e., the sugar bowl, the milk flask or jug, the cinnamon and chocolate shakers, the stir-spoons) exerted a significant influence on people’s liking for coffee. In this study, participants were offered a free cup of coffee in return for filling in a questionnaire. For some participants, the containers were made of glass-and-metal, set on a crushed metal tray, and accompanied by silver spoons and nice labels. For others, the very same condiments were placed in Styrofoam cups instead and labelled by hand using a felt-tipped pen. The participants who took part in this study reported a preference for the coffee served with higher quality condiment containers and were willing to pay more for their coffee. As Ariely puts it: “When the coffee ambience looked upscale, the coffee tasted upscale as well” (2008, pp. 159–160).
The perceived quality of the accessories could potentially also be improved simply by changing their weight. Given that the weight of the bowl was shown to affect the flavour of the food (see, described above), one might also expect heavier condiment containers to improve the perceived quality of the food (cf. Piqueras-Fiszman & Spence, in press;).
What about for salt and pepper shakers? It turns out that the size of the opening affects people’s consumption of salt and pepper. The bigger the holes in the salt shaker, for example, the more salt people consume. Similarly, even the location of the shakers on the table (i.e., the ease of access) has also been shown to influence people’s behaviour. Here it is important to note that ease of use is also important in container/packaging design. Apparently in homes where EZ Squirt plastic ketchup bottles (with a conical nozzle) are used rather than the traditional glass bottle, ketchup consumption can increase by as much as 12%. It has been suggested that this might be related to the fact that EZ Squirt bottles are easier to use by young children, one of the most frequent consumers of this particular product. Taken together, the results reported in this section demonstrate that people’s consumption behaviours can be impacted by the location, ease of use, and perceived quality of condiment containers at the table.
The environment in which people eat is known to influence many aspects of consumption behaviour, from what people choose to order, to how much they are willing to pay, and how quickly they eat/drink. Much of this research has focused on the atmosphere in restaurants and in the home (e.g.,[5, 6, 50–52] for reviews;[3, 4, 53, 54]). Coelho et al. have recently reported that exposure to chocolate-scented lotion increased the intake of chocolate-chip cookies (by approximately 75%) when the lotion was labelled as “chocolate-scented” in comparison to the same lotion when it was unlabelled. Beyond the scent, the lighting can also affect the perception of food and drinks. Oberfeld et al. investigated the effect of the colour of the lighting (white, blue, red, or green) on people’s perception of the flavour of a Riesling (white) wine. Importantly, since the wine was served in an opaque black wine glass, the lighting did not affect the colour of the wine itself. Nevertheless, people reported liking the wine significantly more (and were willing to pay nearly 50% more for it) when they tasted it under blue and red lighting rather than under green or white lighting. Oberfeld et al. also noted that blue and green lighting made the wine taste spicier and somewhat fruitier, while the same wine evaluated under red lighting was rated as 50% sweeter than under blue or white lighting.
In terms of more extreme variations in the lighting conditions, Scheibehenne et al. reported that eating in the dark decreased people’s ratings of the acceptability of food and their likelihood of future consumption [Spence & Piqueras-Fiszman, in press]. Gal et al. also reported that brightness of the lighting affects pleasantness and the overall consumption of coffee. In their study, Gal et al. varied the lighting in a room and investigated its effect on people’s consumption of coffee. The lights were either bright or dim – the idea being that bright lighting should, if anything, make the coffee taste stronger. The 135 undergraduates at a North American University who took part in this study were seated in a room and given a Styrofoam cup containing 5 oz of freshly brewed coffee to drink. In one condition, the room was illuminated by two 500-watt halogen lamps, whereas in the other condition, it was lit by only a single 60-watt incandescent bulb instead. The participants were asked about their preference for coffee strength, and after they had finished filling in some forms, the amount of coffee that they had consumed was determined. Those people who reported liking stronger coffee (i.e., those falling 1.5 or more standard deviations above the mean) drank more coffee than those who reported a preference for weak coffee (i.e., those who fell 1.5 standard deviations or more below the mean). More importantly, those who reported liking strong coffee drank significantly more of it under bright rather than dim lighting conditions, whereas the reverse was true for those who preferred weaker coffee. Crucially, the lighting level had no direct effect on people’s estimates of the strength of the coffee itself (i.e., when looking at it without actually tasting it). Taken together, these results demonstrate that both the intensity and colour of the lighting in a room can affect people’s perception of the flavour of, liking for, and even their consumption of, drinks such as wine and coffee.
In addition to olfactory cues and lighting, auditory stimuli can also affect the environment and influence people’s consumption behaviour, their preference ratings, and even their rating of a food’s flavour. When music is used to set-up a particular ethnic context, in a restaurant, it can make food flavours appear more authentic. Hence, playing French music is likely to enhance the perceived “Frenchness” of the food and eating environment. Spence and Shankar recently reviewed the research on auditory influences on food perception and revealed a variety of sounds (music, food-crunching sounds, and even pure tones) can have systematic effects on our perceptions of food and drink. These authors highlighted a number of potential explanations for these crossmodal effects including multisensory integration, attention, associative learning, and the setting-up of sensory expectations in the minds of consumers.
According to the attentional account, if the background music in a restaurant happens to capture a customer’s attention, then they may not devote as much of their processing (i.e., attentional) resources to the in-mouth sensations and hence the sound might detrimentally affect their perception of the foodstuff [see. Meanwhile, other researchers have suggested that loud noise/music may simply “mask” taste perception, although it remains something of an open question as to whether the phenomenon of crossmodal masking actually exists. Another possibility is that music influences the perceived passage of time which may, in turn, impact how much one eats. In other words, if the music makes one feel that less time has passed then one may want to stay longer in a particular restaurant or bar, and hence eat or drink more as a result.
In summary, the results reviewed in this section demonstrate how profoundly the sensory attributes of the environments in which we choose to eat and drink can impact on our food and drink-related behaviours/perception. Note that all of the studies mentioned in this section involve researchers manipulating a single sensory attribute of the environment at any one time (i.e., just the lighting, just the music, or just the scent). Future research will need to consider how different sensory cues interact in multisensory environments (e.g., when the lighting, music, and scent are manipulated simultaneously; see).
Menu names are particularly important for setting-up certain sensory expectations for the diner. For example, it has been shown that people assume that an ice cream named ‘Frosh’ will be creamier, smoother and richer than an ice cream named ‘Frish’. It is believed that this effect is driven by the sound of the vowels in the two names [see also 25 for a review]. How food names, and the subsequent food expectations that they may elicit, relate to ratings of food pleasantness has been investigated by Martin Yeomans and his colleagues in Sussex. In one of their studies, three groups of participants were given the same red coloured frozen food to taste. One group of participants was given no information concerning the dish, another group was told that it was a frozen savoury mousse, and a third group was told that the dish was labelled ‘Food 386’. The participants who were given no information appear to have expected the dessert to be something like a sweet strawberry ice cream (given the colour). Instead, what they got was a savoury salmon mousse. This group of participants disliked the food more than the other two groups of participants, and rated it as tasting saltier than the other groups as well. When subsequently offered some of the same food a few weeks later, the uninformed group ate less (if any) than either of the other two groups. Yeoman and colleagues’ results clearly highlight the importance of menu labelling in terms of creating the appropriate sensory expectations, and avoiding the possibility that a food does not meet a customer’s prior expectation (disconfirmation of expectations see alsoc).
In addition to name of the menu item being important, Wansink, van Ittersum, and Painter have reported that the text used to describe a food item on a menu can affect its appeal. They found that menu items with more elaborate descriptions were rated more favourably (more positive comments about the food, more appealing, tastier, and perceived to have a higher caloric content) than their identical (but simply-named) counterparts. How might the price of items on a menu affect the perceived quality and enjoyment of the item? Based on differences found for text read off of a heavy versus a light clipboard, it might be predicted that the weight of the menu would affect whether one thinks that the prices are appropriate; the heavier the menu the more appropriate a higher price would seem to be. An interesting area for future research would be to see if people are more likely to choose the more expensive item from a heavier menu as compared to a lighter menu (think of the heavy wine menu as compared one often finds at certain top-end restaurants). While effects related to the weight of the menu, and it’s relation to price, are fairly speculative at the present time, the effect of the name and description of food in menus has been tested empirically. Food descriptions on a menu can make the item appear more expensive (such as menus that specify that ingredients are organic, or “grade A” beef;). The consumer might well believe the food item to be of higher quality, and hence enjoy its taste/flavour that much more (see, for a review;).
The results of the research outlined here clearly demonstrate that the tableware, and the other non-consumable elements of the table setting, can all exert a significant effect on our perception of, and behaviour toward, food and drink. In terms of understanding these effects, there appears to be a number of potentially relevant psychological and physiological explanations for the effects that have been documented. Sensation transference might, for example, partially account for the fact that properties of the tableware are associated with the food and drink. High-level attributes of the accessories, such as their perceived quality and expense, might be transferred to the consumables, just as low-level attributes (such as colour) seem to be[16, 17]. Similarly, psycholinguistic transference might result in descriptions of cutlery, plates, cups, or decorations being transferred onto the food (e.g., a “heavy” bowl results in the perception of food that is rated as being heavy).
There are also visual perceptual effects that might clarify some of the above-mentioned influences of vision on food perception. Colour contrast, for example, might explain why food served on a white plate might taste stronger than the same food presented on a black plate. The Ebbinghaus-Tichener size-contrast illusion or the Delboeuf illusion could explain why the same amount of food is perceived as more filing when eaten from a small bowl compared to from a larger bowl.
Finally, there is some evidence for physiological/chemical changes to the food and drinks as a result of the shape or material of the tableware. For instance, certain glass shapes will presumably release more organic molecules from wine than other glass shapes. However, this review suggests that it is a drinker’s (or taster’s) awareness of the glass shape and size that appears to be crucial in order for the shape/size of the glass to affect the aroma and flavour of the wine. Similarly, spoons made from different metals might taste different because they interact with foods (probably differently depending on the properties of the food item itself, and the material of the spoons, such as their pH or temperature).
Although this field of research is relatively new it is undoubtedly growing rapidly. Already, there is evidence for effects of tableware and accessories on eating and drinking which probably reflect a combination of perceptual illusions, psycholinguistic and sensation transference effects, and physiological/chemical phenomena. It seems, therefore, reasonable to suggest that both the food industry and home-dining should pay far more attention to the tableware and atmosphere in order to maximize the dining experience.
aOne can certainly think of the transfer of taste/flavour from plate to mouth as equivalent to previous research showing that the colour of product packaging can also influence the taste/flavour of the contents[24, 47].
bIt is worth noting that the effect of the spoons observed in and do not necessarily conflict with one another. Importantly, there were several methodological factors that were predicted to give rise to different results in these two studies: the food was presented differently (already served on the plates vs. self-service, respectively) and the contextual conditions were different (real restaurant vs. invitation to attend a social event).
Vanessa Harrar holds the Mary Somerville Junior Research Fellowship of Somerville College, Oxford University. Betina Piqueras-Fiszman holds a scholarship from the Ministry of Education, Spain.
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